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The second-floor structure was removed to create a high ceiling, with light brought in from the upper part of the west side.
The chigaidana staggered shelves formerly located in the tokowaki were relocated to the right of the radiant heating and cooling unit, while the left side serves as a counter.
The former eight-tatami Buddhist altar room was reduced to four tatami mats, while the remaining four-tatami area was incorporated into the living room as a high-ceilinged space.
The kura, which had been awkwardly attached to the main house by an extension and had suffered water ingress, was detached and restored to its original form.
The former shoin screen and ranma transom from the tatami room were relocated to the display shelves; the shoji and mairado sliding doors were adjusted in height and reused.
Washi paper was applied alternately to the four shoji panels so that each side would present a finished face toward both the living room and dining room.
The carved ranma transom is based on the motif of Sumiyoshi Taisha: a drum bridge is carved on the left, and a torii gate and tall lantern on the right.
The former tokonoma alcove and tokowaki side alcove were retained as the room was converted to a Western-style space; the chigaidana staggered shelves were removed and relocated.